signoise by modisti If, on the basis of the instrumentation, you expect one of those junk-noise collages which so often don’t work, you’re in for a big surprise. Although on paper Modisti are a duet of live object-sampling and voice, in reality their pieces are carefully constructed. Lopez may play “objects intended for the trash”, …
Live RDSI Performance recorded in 1998 from Madrid . Modisti . Belma Martín: Voice , Pedro López : Live electronics from Barcelona . Liba Villavechia: sax & electronics, Joan Saura : keyboards
metalógica by modisti Metalogic is part of logic semiotics, that is; of the branch of semiotics that deals with the study of logical signs in general. Metalogic is a metalanguage and as such it has the three dimensions of every metalanguage: The syntactic, semantic and pragmatic dimensions. We might have had the conscious purpose of …
On the 4th and 6th of April 1998, the International Theremin Orchestra met to perform in Austria, Touchless 2, at the Kunst Halle Krems, Minoritenkirche and the Ars Electronica Center, Linz. These performances resulted in the CD release, Touchless, now available from various online stores and retailers. – See more at: http://agarton.org/blog/international-theremin-orchestra-touchless/#sthash.z4EaY2VO.dpuf touching and emphasizes …
This work is shaped as a personal diary developped on interlazed fragments. For that it’s integrated by different episodes, linked from a certain subjectivity than the “diary” gender always suggests. Likewise, the understanding, the inverted commas or underlined, the monologue truncated on a word or the design or the linguistic gesture takes part of the …
La Cultura nos Salva by modisti This kind of sample is made from innumerables points of view, the thrill produced by living in a medium which is generaly highly mediated by ideologies and unshared forms and the excitement produced on the other hand by creating a daily living full of interchangeable personal guarantes, with full …
Two musicians,one from Madrid, the other from New York, use musical improvisation as a means of expression and exploration, Investigating and exploiting sound, electroacoustics, time and flow, seeking, and finding in precision, the elasticity and energy of a musical dialog. Their tools are the bass clarinet, alto flute, saxophones, acoustic and electronic percussion, synthesizers, voice, …
“La formación más iconoclasta de la escena improvisadora nacional….un alarido electroacústico” (Jesús Moreno) “….una sublimación de la abstracción sonora a través del más hermoso caos, cerca del nirvana total….Don Cherry meets Panasonic…” (Luis Lles, Diario del Altoaragon, 1996) Eating Flowers Pedro López: electroacustic percussion, samplings, etc. Markus Breuss: trumpet, electronics, invented instruments,etc. “….Scorecrackers..perpetra una auténtica …
La evolución consiste en la creación de islas de orden cada vez mayores a costa de producir océanos de desorden más y más grandes. Las empresas aeroespaciales, por ejemplo, emprenden intensas campañas para persuadir a los gobiernos de la necesidad de financiar la puesta en órbita de satélites del tamaño de la isla de Manhatan …
Scorecrackers – Festival Hurta Cordel 1996 Javier Colis. guitar Iñaki Rios: bass Pedro Lopez: drums Markus Breuss: trumpet video: Victor Vázquez edición: Lourdes Durán Festival de improvisación Libre HURTA CORDEL Instituto Alemán, Madrid 19 de Junio de1996
Password: +\t8,9)=5d[ As part of the activities of the I free improvisation festival Hurta Cordel, the duo Fases toured with Peter Kowald. This concert, the end of the tour, at the Goethe Institute in Madrid on June 18, 1996.
Esta foto de Pablo Otín nos muestra un homenaje, a Don Cherry en Octubre del 95 realizado en Huesca junto a Markus Breuss, Javier Colis, Mark Cunningham, Victor Vazquez y Justo Bagüeste que quiero creer que sirvió para que alguien recordara ó descubriera a Cherry en alguna parte.
Suso Gonzalez: keyboards, etc Markus Breuss: trumpet, flugelhorn, percussion, electronics, etc Pedro Lopez: drums, percussion, etc Georgia Jazz Club Almeria (Spain) May 1995
A live performance recorded in April 1995 Wade Matthews : Sax, Flute & objects Baldo Martinez : Bass Pedro López : acoustic & electronic percussion